Paul Cézanne

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Paul Cézanne Biography

(b. Jan. 19, 1839, Aix-en-Provence, Fr.--d. Oct. 22, 1906, Aix-en-Provence)
French painter

As one of the greatest Postimpressionists, Paul Cézanne were influential by his paintings and ideas in the aesthetic development of many 20th-century artists and art movements, especially Cezanne still life.

Cezanne artwork, misunderstood and discredited by the public during most of Cezanne life, grew out of Impressionism and eventually challenged all the conventional values of painting in the 19th century through its insistence on personal expression and on the integrity of the painting itself. Paul Cézanne has been called the father of modern painting.

In Paris he met Camille Pissarro and came to know others of the impressionist group, with whom Paul Cezanne would exhibit in 1874 and 1877. The painter remained an outsider to their circle; from 1864 to 1869 the artist submitted his artwork to the official SALON and saw it consistently rejected. Cezanne painting of 1865-70 form what is usually called his early ``romantic'' period. Extremely personal in character, it deals with bizarre subjects of violence and fantasy in harsh, somber colors and extremely heavy paintwork.

The painter was obsessed with form rather than content, so subject matter was always secondary to the act of Cezanne works itself. Cézanne Paul wanted the methods and skills of the painter to be more important than the image. That meant the subject of the painting Cezanne couldn't be so dynamic as to overshadow the artist's act of creation. The more he concentrated on this, the less viewer-friendly paintings by Paul Cezanne became. But that suited his personality just fine. his goal was not to have a mass audience or sales appeal, it was to satisfy himself. The best-known Cezanne art are Rideau, Cruchon et Compotier, Forest, and still life Cezanne.

It's hard to imagine that the man who created such restrained, methodical, time-consuming paintings had a violent, volatile temper. Paul Cezanne painting was salvation, a way to balance the fires within. Rather than let his personality shine in art Cezanne -- that scared him too much -- he suppressed it. A psychoanalyst would have had a field day with him. In spite of his bourgeois background, Paul Cézanne was a primitive, with rough edges and no table manners -- although he did improve somewhat after he met Hortense. The painter worked in virtual seclusion and seldom ventured out. He was such a recluse that one critic doubted his existence. When he finally did attend a show of Paul Cézanne paintings, he was amazed that the gallery had bothered to frame them. Even when Cezanne finally enjoyed both success and sales he remained riddled with self-doubt.
Cézanne was versatile; in his pursuit of perfection and a unique style, he experimented a lot. Art students often copy paintings of Paul Cezanne -- you still see them in museums with their sketchbooks -- and Cézanne did just that, but unlike most, the painter never stopped copying.

The earliest Paul Cézanne artwork, from his first days in Paris, are expressionistic, with their impasto paint surface, broad use of the palette knife, and brooding intensity. he took out his frustrations on the canvas. In the early 1870s, the artist experimented with Impressionism. Toward the end of his life, Cézanne Paul was at his most daring, reducing architecture and figures to geometric forms and paving the way for Cubism.

Cezanne Paul biography: (1839-1906) is certainly as great an artist as any that ever lived, up there with Titian, Michelangelo, and Rembrandt. Like Manet and Degas, and also Morisot and Cassatt, Paul Cézanne came from a wealthy family -- his was in Aix-en-Provence, France. his banker father seems to have been an uncultivated man, of whom his highly nervous and inhibited son was afraid. Despite parental displeasure, he persevered with his passionate desire to become an artist. Early Cezanne apples display little of the majesty of his late artwork, though today they are rightfully awarded the respect that the painter certainly never received for them.
One of the most important Cezanne pictures of his early years is the portrait of his formidable father. The Artist's Father (1866, 199 x 119 cm (78 x 47 in)) is one of his ``palette-knife pictures'', painted in short sessions between 1865 and 1866. Their realistic content and solid style reveal his admiration for Gustave Courbet.

Even Cezanne painting of people can be regarded as still lifes, because the artist demanded that his models sit absolutely still. Sitting for him was something of a nightmare. Not only was Paul Cézannes foul-tempered, he was an extremely slow painter, probably the reason his subjects always look tired and sombre. Ambroise Vollard, the dealer who arranged his first one-man show a century ago, posed 115 times for Sainte Victoire Cézanne, sitting absolutely still "like an apple" and then Cézanne, dissatisfied, abandoned the picture with only two unpainted spots remaining.

Paul Cézanne understood that a painting could not really do its subject justice. The artist knew that colors in nature and their combination with natural light could never be truly reproduced. The artist saw himself as an interpreter who had to accept the limitations of the medium and tried to transfer the images onto canvas apples by Cezanne the best way he could. He attempted to bridge the natural and artistic worlds. Hence Paul Cézanne paintings, in comparison with the works of many other Impressionists, only make sense as a whole, not in snippets, as the brush strokes and colors are meant to be interdependent on one another. This is especially true for The Card Players Cezanne painted in the latter part of his career, when the painter used color in short strokes or in almost mosaic patches, all of equal intensity, throughout an entire painting Cezanne.

He sometimes worked on the same Cezanne artwork for years, never satisfied with the results. He seldom signed oil paintings, because he never considered them finished. Those Cézanne Paul did sign had his mark of approval.
During the last decade of his life, paintings by Cezanne became more simplified, the objects in his Cezanne Provence landscapes reduced to components -- cylinders, cones and spheres. The painter is often seen as anticipating cubist and abstract art, because he reduced the imperfect forms of nature to these essential shapes. By the time of his death in 1906, Picasso and Braque were in the midst of exploring the most radical implications of the style of Cézanne montagne Sainte Victoire. Maybe the world has finally caught up with Cézanne. Complexity is more admired now than it was 100 years ago, and since his reputation precedes him, perhaps the exhibition at the Grand Palais will make Cezanne The Card Players more accessible to the average museum-goer.

The château in those Cezanne Paul paintings derives its name from rumors about its owner, rather than from its appearance. It was built in the 18th century by an industrialist from Marseilles, who manufactured lampblack paint (derived from soot). The artist also used it to decorate the interior walls and furniture of the château. As a result, Paul Cézanne was associated with black magic among the local people, who believed that the château was also home to the devil.