William Michael Harnett Paintings |
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William Michael Harnett BiographyAmerican Realist artistborn 1848 - died 1892 Painted still lifes of common household objects arranged in such a way that the painting was to be mistaken for the objects themselves. These objects included musical instruments, firearms, and even paper currency, similar to contemporary John Haberle and successor Otis Kaye. |
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An Irish-American painter
who helped pioneer a trompe l'oeil
(literally, "fool the eye") style of
realistic painting.
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Consequently, in his determination to find success as a painter, William Michael
Harnett went abroad in 1878 painting and exhibiting in London and Paris and then
spending four years in Munich. The result of his Munich stay was one figure
painting of a monk with a long white beard, a work so bad that the artist
returned to his still lifes.
However, he changed his subject matter to a somewhat more elegant and cultivated series of objects adding antique brass and pottery, guns, and musical instruments. When these changes did not please art critics in Munich, William Michael Harnett went to Paris, exhibited in the Salon there, and was rewarded again by fascinated viewers and disdainful critics. William Michael Harnett then returned to New York to settle down and paint still lifes that sold very well to a large and admiring public. the William Michael Harnett paintings are broadly handled, warm and rich in color, sharp and clear-edged, and faithful to reality in the smallest detail. |
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Overall, the William Michael Harnett artwork is most comparable to that of John F. Peto. An interesting comparison can be made between two William Michael Harnett paintings featuring violins. Harnett's, from 1886, shows the violin upright and in brand-new condition with a new piece of sheet music behind it. The elements are arranged in a stable, deliberate manner. |
Peto's 1890
painting shows the violin askew, as well as
chipped and worn. The sheet music is
dog-eared and torn around the edges, and
placed haphazardly behind the instrument.
William Michael Harnett artworks indeed tended to emphasize
an almost mechanical perfection, while Peto's were more reflective of human
interaction.
William Michael Harnett died on October 29, 1892 at
the age of 44. |
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